Little Red Riding Hood - The First Blood
Lena Kitsopoulou
Dates
Prices
Location
Time & Date
Information
Tickets
18 €
Concs 10 € | Unemployed 5 €
General
No admittance to children.
On Friday 23 and Saturday 24 May with French surtitles.
The performances on Sundays 18 & 25 May 2014 are cancelled, due to the elections.
“No one ever lived happily ever after”, says the ever unpredictable Lena Kitsopoulou, exhorting viewers to get over fairy stories and accept the ‘evil’ within them.
When this director turned her attentions to the romance play “Hail Bride”, she took Gregorios Xenopoulos’ ill-starred 1930s urbanite heroine and turned her into a self-destructive Amy Winehouse of our times. For her first appearance at Onassis Stegi, Lena Kitsopoulou has chosen to work with a celebrated fairytale by the Brothers Grimm – “Little Red Riding Hood”. She adds, however, the sub-title “First Blood”, as in “Rambo: First Blood” – the 1982 American action movie starring Sylvester Stallone – and in doing so, upends everything. Little Red Riding Hood is no longer a figure of goodness here to teach children not to talk to strangers, unless that is they want to get eaten by the Big Bad Wolf.
“The wolf’s going to eat us all anyway, so we may as well talk to strangers because frankly, we’re bored of the people we know – we’ve seen them all to death” is Kitsopoulou’s breathtaking argument, turning against the modern-day fairytale that is the perfect, pacifist (and supposedly passive) person, and calling on audiences to accept and embrace the evil within. “And nobody lived happily ever after,” notes Kitsopoulou, who makes her Little Red Riding Hood come of age. “First Blood” is the end of innocence. The end of faith in miracles. It is that time in our lives when nothing surprises us anymore. The realization of a futility that can only be borne by becoming cynical and self-mocking, violent and ridiculous.
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Lena Kitsopoulou’s “Little Red Riding Hood” will be presented in Paris at Théâtre des Abbesses on 18 June 2014 as part of the international “Chantiers d’Europe” program organized by Théâtre de la Ville.
A graduate of the Karolos Koun Greek Art Theater (“Theatro Technis”), Lena Kitsopoulou (born 1971) is an actor, director, dramaturg, and lyricist, as well as a singer with a weakness for the Greek rebetiko repertoire. She has managed, in under seven years, to be acclaimed as the most multi-faceted, radical, impulsive, and perhaps even blasphemous artist of the younger generation.
Her first collection of short stories – “Bats” (Kedros Press, 2006) – was awarded the prize for Best Debut Book by the Greek literary periodical “Diavazo” (“I Read”). She went on to release a second book of short stories, titled “Major Roads” (Metechmio Press, 2010).
Kitsopoulou’s first major success in the theater came with the sarcastic, meta-feminist monologue “M.A.I.R.O.U.L.A.” at the Greek National Theater in 2011, directed by herself, and starring her close collaborator Maria Protopappa as a 37-year-old Greek woman talking alone a little before taking her own life.
Lena Kitsopoulou’s daring adaptation and direction of Gregorios Xenopoulos’ romance play “Hail Bride”, starring Maria Protopappa and Giannos Perlegas, garnered rave reviews. The play ran for two seasons at the Karolos Koun Greek Art Theater (“Theatro Technis”) on Frynichou Street in 2012, and was presented last year at the Théâtre St-Gervais in Geneva.
Her theater piece “Athanasios Diakos – The Return”, which she directed, caused a storm of controversy when presented at the Athens & Epidaurus Festival in 2012. In this anti-heroic parable, Kitsopoulou transfers the hero of the 1821 Greek Revolution to the present day, has him open a grill in Psyrri, and transforms him into a lousy individual who curses, beats, rapes and, in the end, slaughters his wife who, incidentally, is cheating on him with his Kurdish hired hand. “Athanasios Diakos made cuckold, griller, wife-killer” screamed the front-page headline of a Greek Sunday newspaper that railed against the artist.
At the 2013 Athens & Epidaurus Festival, Kitsopoulou directed the absurdist musical performance “Ludus Lucta Illusio”, in which the mezzo-soprano Lenia Safiropoulou and the Ex Silentio early music ensemble performed music by the major medieval composer Guillaume de Machaut, while a trio of actors (Giannis Kotsifas, Ioanna Mavrea, and Kitsopoulou herself) used extreme solo improvisations to bring the plot of Heinrich von Klaist’s novel “The Duel” to life.
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Credits
Text and Direction
Lena Kitsopoulou
Set Design
Elli Papageorgakopoulou
Costumes Design
Magdalini Avgerinou
Lighting Design
Nikos Vlasopoulos
Music
Nikos Kipourgos
Director’s assistant
Anna Nikolaou
2nd Assistant Director
Christos Christopoulos
Set & Costumes Designer Assistant
Natalia Latsi
Executive Producer
Polyplanity Productions / Yolanda Markopoulou
With
Giannis Kotsifas, Ioanna Mavrea, Giannos Perlegas, Emily Koliandri, Nefeli Maistrali, Lena Kitsopoulou
Surtitles Translation to French
Florence Lozet
Production
Onassis Stegi
Many thanks to
Lenia Zafeiropoulou, soprano, for singing the aria of the mother
Lena Kitsopoulou
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