Part of: FUTURE N.O.W.

We are in the Army Now

Elias Adam

Dates

Prices

Free admission

Location

Online, Onassis Stegi

Time & Date

Day
Time
Venue
Day
10 April - 9 May 2021
Time
21:00
Venue
Online

Information

YouTube Premiere

Saturday 10 April 2021

21:00

Suitable for

Audiences aged 18+

Duration

1 hour & 20 min

“We live in a time of monsters, between a dying world and another battling to be born.” Four wannabe superheroes. Cyberspace(s). Video games. Smartphones. New realities. A camp, personal army. Will you put your trust in them? The time has come – this is a call to arms. On the Onassis Channel on YouTube.

Photo: Pinelopi Gerasimou

Elias Adam: "We are in the Army Now"

Forget the Upper Stage you once knew: it has been transformed into a hybrid social medium, something between an Instagram account and an iPhone screen. Forget theater as you knew it too. Everything here sparkles with an ultrapop cyberspace aura.

The four performers are reminiscent of Power Ranger superheroes, Pokemon, and the sexy being that is Cardi B. Everything unfolds in a camp atmosphere, filled with snapshots from the lives of borderline millennials, TikTok-style choreographies, and Britney Spears music videos, all set alongside deeply confessional selfies and memes on the controversial relationships between socio-environmental justice and social media platforms. Except that what’s posted here is the collective rage and urgency of an entire generation, coupled with the fierce humor that pervades it.

Might we all in fact be superheroes, ready to do battle? Can Steve Jobs and working class people from the Athenian Nikea neighborhood sit side-by-side in the same selfie? Are homophobic Greek fathers and religiously devout Greek mothers just another work in progress? Can ideology be explained through the use of emojis?

In a time that seems to lack doers, where things are fluid and seem incomprehensible, who exactly will our heroes fight? Generation Z take up weapons and welcome us into a new world where emojis and Pokemon coexist with extreme sensitivity and dissident activism, and all inside a theater form as digital as is it incurably physical.

    Image 1 / 10

    Photo: Pinelopi Gerasimou

    Image 2 / 10

    Photo: Pinelopi Gerasimou

    Image 3 / 10

    Photo: Pinelopi Gerasimou

    Image 4 / 10

    Photo: Pinelopi Gerasimou

    Image 5 / 10

    Photo: Pinelopi Gerasimou

    Image 6 / 10

    Photo: Pinelopi Gerasimou

    Image 7 / 10

    Photo: Pinelopi Gerasimou

    Image 8 / 10

    Photo: Pinelopi Gerasimou

    Image 9 / 10

    Photo: Pinelopi Gerasimou

    Image 10 / 10

    Photo: Pinelopi Gerasimou

Read more

This is the second time Elias Adam is working with Onassis Stegi. In April 2020, he directed a short-form film-performance titled “HAMLET, a desktop performance” as part of the Onassis Stegi ENTER program, which commissioned artists from around the world to create new works within 120 hours during quarantine lockdown. This work by Elias Adam sees Hamlet wander his computer desktop. Themes and motifs drawn from the play by Shakespeare are revealed through the use of technology. Love, grief, anti-depressants, death, and self-destructive tendencies interlace with an endless stream of associative references to Internet pop culture, cartoons for kids, and current events during the course of an afternoon spent screen-mirroring.

Elias Adam notes the following about his works on his website: “I like to be confessional and to build bridges from the personal to the political. To create alternative narratives, and give visibility to voices that are silenced. I am fascinated by the transformative power of autobiography intermixed with fiction. I adopt elements of the camp style: artifice, frivolity, pretentiousness, and shocking excess. Born on the threshold of the new century, I incorporate pop culture references into my works.”

In 2021, within the framework of the Moving Borders EU project, and following a commission by Onassis Stegi, ʽKivotos Channelʼ emerged, a ʽTVʼ channel conceived, directed, and dramaturged by Elias Adam.

Embedded media

If you want to enjoy embedded rich media, please customize your cookie settings to allow for Performance and Targeting cookies. Your data may be transferred to third-party services such as YouTube, Vimeo, SoundCloud and Issuu.

Customize Cookies

Credits

  • Text & Stage Direction

    Elias Adam

  • Set, Costumes & Digital Space Design

    Sita Messer

  • Collaborator to Set & Costumes Design

    Electra Staboulou

  • Collaborators to the Dramaturgy & Text

    Chris Vrettos, Christina Mavrommati

  • Dramaturgy workshops coordination

    Chris Vrettos

  • Music

    Gary Salomon

  • Choreography

    Panos Malactos

  • Lighting Design

    Panagiotis Lambis

  • Performers

    Styliana Ioannou, Jeo Pakitsas, Sofia Priovolou, Gary Salomon

  • We are grateful to the following, for taking part in performance development’s dramaturgy workshops

    Lydia Antoniou, Nadia Argyropoulou, Dimitris Babilis, Olga Deli, Sandy Fameliari, Eva Giannakopoulou, Nikos Haralampidis, Vicky Kyriakoulakou, Eva Papamargariti, Eva Pliakou, Michalis Prodromou, Nora Ralli, Leto Skopeliti, Kostas Stasinopoulos, Anastasia Vaitsopoulou, Pasqua Vorgia, Niovi Zarampouka

  • Production Management

    Cultόpια

  • Commissioned & Produced by

    Onassis Stegi

Filming Credits

  • Director

    Alkis Papastathopoulos

  • Production

    Christos Giannakopoulos

  • Director of Photography

    Petros Goritsas

  • Editor

    Alkis Papastathopoulos

  • Sound Design & Sound Mix

    Daphne Farazi

  • Production Manager

    Eleni Molfeta

  • Sound Recording

    Daphne Farazi, Dimitris Samaras

  • Assistant Director

    Eleni Molfeta

  • Assistant Camera

    Eleni Lola

  • Color Grading

    Areti Papaioannou