Babybird Babybird
Dimitris Bampilis
Dates
Prices
Location
Time & Date
Information
YouTube Premiere
Saturday 17 April 2021
21:00
Suitable for
Audiences aged 18+
Duration
1 hour & 30 min
Content warning
This documentary theater performance contains explicit scenes of birth that you may find upsetting or triggering
Why we do (not) have children? Parents-to-be, a new mother, a midwife, a demographer, a sociologist, a neuroscientist, and an anti-natalist YouTuber share their respective opinions on the sexiest ontological question, and take part in a documentary theater performance about the complicated relationship between our sexual life and our reproductive potential. On the Onassis Channel on YouTube.
Photo: Andreas Simopoulos
Dimitris Bampilis: "Babybird Babybird"
A genetics lab, four experts, a stork, and all of us occupy the Onassis Stegi Upper Stage to address an issue omnipresent at the agenda of the public debate, due to nationalist uproar attracted by its ideological connotations.
Envisioning the future means talking about future’s people. However, over the last few decades, ever fewer people in Europe are having ever fewer babies. Stage director Dimitris Bampilis and four experts on the issue consider a series of questions: What do the numbers show? Did people stop having sex? Is it that more and more people are not having offspring by virtue of choice? How do societal constructs intertwine with biological impulses? And if we really are in ‘population decline,’ why are those seeking a better life being persecuted?
The APARÄMILLON creative team have put together a piece of documentary theater exploring concepts and issues that include ‘low birth rate,’ ‘overpopulation,’ motherhood as a conscious personal choice, pregnancy termination, prenatal checks, national healthcare policy, sperm banks, and dating apps. Using interviews and statistics, personal testimonies and scientific studies, discretion and humor, they intervene into the debate regarding birthrate and parenthood, a recurring debate since moral panic and rhetoric on the dangers of “corrupting the nation” tend to dominate it.
The title of the performance is a play on the Ken Loach film “Ladybird Ladybird” (1994), which dealt with an unmarried mother’s battle with social services over the care and custody of her children.
Dimitris Bampilis is engaged with documentary theater since 2008, when he completed his internship with Rimini Protokoll at the Hebbel Am Ufer theater in Berlin. He went on to work as a visiting assistant director on the piece “Black Tie” (Helgard Haug / Daniel Wetzel), and in 2020 co-directed “Now That We Meet Again” with Daniel Wetzel at Bios, a performance on social distancing during the pandemic.
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Credits
Direction
Dimitris Bampilis
Dramaturgy
Dimitris Bampilis, Georgia Kanellopoulou
Set & Costumes Design
Daphne Aidoni
Research Collaborator
Dimitra Loupi
Scientific Advisor
Vassilis Lemonis
Assistant Director
Georgia Kanellopoulou
Lighting Design
Eleni Choumou
With 4 experts on the issue
Irini Ampoumogli, Yiannis Karapanagiotidis, Daphne Moschou-Chatzokou, Electra Economidou
Featuring at the video
Alexandra Tragaki, Simone Surgeoner, Dana Wells
Production Management
Katerina Kourti
Commissioned & Produced by
Onassis Stegi
We would like to thank: Yorgos Valais, Nikoletta Vernikou, Yorgos Voulgaridis, Danae Georgiou, Vassiliki Kanellopoulou, Nikos Raftakis, Irene Tzouma, Anthi Tsagalidou, Dimitris Tsiamis, and all those who contributed their precious thoughts
Filming Credits
Director
Christos Sarris
Director of Photography & Camera
Evan Maragoudakis
Camera
Dimitris Zivopoulos
Camera Assistants
Koralia Dogani, Andreas Markou
Sound Recording
Panagiotis Papagiannopoulos
Sound Recorder Assistant
Christos Sakellariou
Editor
Marios Kleftakis
Colorist
Dimitris Karteris
Sound Mix
Stelios Koupetoris
Filming Production Coordinators
Elena Choremi, Smaragda Dogani
Biography
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