Data Mining / Live Scoring | Alexandros Drymonitis – ARTéfacts ensemble

Borderline Festival 2019 | Day 1 & 2

Dates

Prices

5 — 10 €

Location

Onassis Stegi

Time & Date

Day
Time
Venue
Day
Wednesday-Thursday
Time
21:00
Venue
Exhibition Hall -1

Information

Duration

60 minutes

Tickets

Onassis Stegi Friends presale: from 4 MAR 2019, 12:00
General presale: from 11 MAR 2019, 12:00

Full price: 7, 10 €
Reduced, Friend & Groups 5-9 people: 8 €
Groups 10+ people, Νeighbourhood residents: 7 €
People with disabilities, Companions & Unemployed: 5 €

Group ticket reservations at groupsales@onassis.org

A multimedia performance which brings together new technologies and acoustic music, the random and the topical, sound and light. The ARTéfacts ensemble takes on a new challenge: performing a score generated in real time by an algorithm which draws dynamically on data from the internet.

The raw material of the performance is a selected topical issue; its content, the comments, reactions and social media posts it provokes. An algorithm draws on data and analyzes internet users’ activity in real time to create scores for each of the six musicians in the ARTéfacts contemporary music ensemble.

The algorithm also ‘directs’ the lighting, giving the audience a holistic experience which combines sound and vision.

Viewers can wander among the musicians, and the process by which on-line data is transformed into scores is illustrated on screens. If they want to, viewers can also leave their own trace on the algorithm's feed, and hence on the performance.

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For the music, the composer Nicoleta Chatzopoulou collaborated closely with the programmer Alexandros Drymonitis, who created the algorithm, creating a work consisting of distinct parts (melodies, rhythms, harmonies, motifs etc.) which the algorithm draws on to create the score.

The lighting designer Melina Mascha also worked in a way that allows the algorithm to combine and compose the lighting live.

The algorithm's code will be uploaded onto the open digital platform GitHub to allow other programmers to add to the project by writing code for other musical instruments, or even by developing the main algorithm further.

Credits

  • Programming / Creation of the algorithm

    Alexandros Drymonitis

  • Music Composer

    Nicoleta Chatzopoulou

  • Lighting Design

    Melina Mascha

  • Set Design

    Konstantinos Zamanis

  • ARTéfacts ensemble

    .

  • Direction / visuals

    Louizos Aslanidis

  • Violin

    Evgenios Zhibaj

  • Viola

    Ilias Sdoukos

  • Clarinet

    Spyros Tzekos

  • Saxophone

    Guido De Flaviis

  • Percussion

    Kostas Seremetis

  • Percussion

    Theo Vazakas