Transitions | Symposium: Perfect Harmony

FRIDAY 27 NOVEMBER

16:30-17:00
Welcome and introduction by Joanna Warsza and Katia Arfara

17:00-18:00
Artist talk: ‘Things can’t go on like this’. Oh but they can, they can.
Dan Perjovschi in conversation with Nataša Ilić (WHW)

18:00-18:15 Intermission

18:15-20:00
Panel I: Performing politics in Europe’s semi-periphery
With: Sodja Lotker, Tomislav Medak, Kostis Stafylakis
Moderated by Kuba Szreder

The panel will investigate the concrete examples of how the politics are performed (by using artistic means) in the context of European semi-peripheries. In our investigations we will refer to the current discourses about "the performative" aspects of politics. We are not so much interested in the buzz-aspect of this term, but rather in the capacity of "the performative" to merge efficiency and subversiveness, as analyzed by Jon McKenzie, a theoretician of Performance Studies. We will refer, among many others, to the experiences of Zagreb-based collective BADco., whose members were also active in the urban movements; the Prague Quadrennial of Performance Design and Space looking at the city as a ready made; as well as in the local Athenian perspective with the art activist engagement within the recent political and social turbulences.

20:00-20:15 Intermission

20:15-22:00 "Holy Mass" by Artur Żmijewski
Films projection followed by a conversation of the artist with Adam Szymczyk
(It will not be live streamed)

The "Holy Mass" was a theater event in which Zmijewski staged a catholic mass in a Warsaw theater. A ritual that serves the Catholic community was re-performed in a place that serves the secular community, however keeping the same seriousness, solemnity and set of rules. Most Poles have been raised as Catholics and all the performativity resulting from assisting at the religious ceremonies is deeply rooted, if not trained, in the memory of their bodies. The "Holy Mass" became both a canny criticism of the Church and its symbolic position in Poland, expressed with the ‘words of Jesus’; as well as the ritual of the last common belief of a certain non-community, a belief in art. Artur Zmijewski repeated this theatre event in Krakow and "Mass II" is its recording.

Courtesy the artist, Foksal Gallery Foundation (Warsaw) and Galerie Peter Kilchmann (Zurich)
Dramaturgy: Igor Stokfiszewski

SATURDAY 28 NOVEMBER

15:00-16:45 Panel II: Hungary in focus: The potentials of bottom-up democratic organization in culture and civil society
With: Szabolcs KissPál, Hajnalka Somogyi, Luca Janka László
Conceptualized and moderated by Livia Páldi

The invited speakers introduce projects and practices from the artistic, curatorial and social field through case study examples in order to demonstrate and assess the potentials of collaborative efforts via self-organisation in facilitating critical thinking. They all promote the necessity of civic engagement and the use of community dialogue in critical social, cultural and political issues under the current, FIDESZ-KDNP coupled nationalist, anti-democratic and increasingly centralised authoritarian regime in Hungary.

16:45-17:00 Intermission

17:00-18:00 Post-Communist East: Nationalism Revisited
Lecture by Boris Groys
Followed by Q&A (15 minutes)

18:15-19:00 Intermission

19:00-20:00 Performance: Small Narration by Wojtek Ziemilski
(It will not be live streamed. Click here for ticket prices)

20:00-21:00 Artist talk: Big disasters, small narrations
Wojtek Ziemilski in conversation with Piotr Gruszczynski