"Stones & Bones" | Online premiere at Onassis Channel, available for 24 hours

RootlessRoot

Dates

Prices

Free admission

Location

Online

How often are dance companies free to experiment with materials like marble? The world-class RootlessRoot are back again at Onassis Stegi, this time presenting the world premiere of their new work on the Onassis Foundation YouTube Channel – just until we can show them our appreciation live inside theaters once more.

New Year’s Day with a world-class dance company: RootlessRoot on the Onassis Foundation YouTube Channel.

For 24 hours only, this incredible company – regularly seen on the world’s major stages, with performances that smash through dance conventions to forge new boundaries – is coming to our screens to premiere a new performance worldwide for the first time online. "Stones & Bones" is a work that takes your breath away with its visual sense, paying tribute to human existence and to memory, and exploring the boundaries between dance and performance concert in the form of a film that has the strength to stand alone.

In its efforts to respond to the closure of indoor performance venues, Onassis Stegi is making use of everything modern technology has to offer in order to present works to audiences, creating a hybrid form that flirts both with the performing arts and with cinema. Stones & Bones has been recorded as a film to be presented digitally, one that seeks to give audiences a cinematic experience.

In this new work by RootlessRoot, five female performers on stage, accompanied by live music, pit themselves against marble to carve out a poem on the fragile nature of human existence and the eternal nature of rock.

Jozef Frucek and Linda Kapetanea have been working with the English sculptor Peter Randall, a master of the form, to drill down into the mysteries of this unique natural material, which presents major difficulties in its use on stage. Inspired by Pythagorean geometric forms of cosmic creation, and by human physicality, they explore the unequal dynamics that exist between the ephemeral human body and the inexhaustible power of marble. These two realities meet in the movement, representing different timescales.

Marble has no place within theater convention: too heavy, too difficult to handle, and all too real to be on stage. Its place is inside magnificent mountains that rise and fall like waves of rock, shaped over millions of years.

Its extraordinary nature, coupled with an acceptance of our own mortality, means we humans are able to contemplate, to inscribe it with marks, to chisel at it in the most unusual of ways – and, in this way, bring ourselves closer to immortality.

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The work’s world premiere, programmed for April 2020, was postponed due to precautionary health measures put in place by the government. Rehearsals began again in September 2020 but the work once again missed its chance to be presented before a live audience.

This film version is an attempt to create a hybrid form, but also to highlight and stress the importance of the performing arts, preparing the ground for the return of artists and audiences to live situations in physical spaces – a different and valuable experience in and of itself.

The performance will be available to view on the Onassis Foundation YouTube Channel until 21:00 on January 2.

Photo: Kevin Deery & Mike Rafail

A work for five performers and the marble eternity of poetic creation.

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The Onassis Stegi was a co-producer of the work “Eyes in the Colors of the Rain” (2011) which was presented on the Upper Stage. It also produced and presented RootlessRoot’s works “Kireru” (2012) and “Europium” (2015) and supported their world tours. “Europium” is currently touring Europe and beyond, including Hong Kong and appeared in major ventures including the Stadsschouwburg in Amsterdam and the Théâtre Paris-Villette.

Since their very artistic beginning, RootlessRoot have focused on the scenic use of materials that can prove extremely challenging for the performers. In “Stones and Bones,” with original score by Vassilis Mantzoukis, five female performers move, with their own strength, heavy and rigid marble sculptures made by Peter and Thomas Randall. The white marble – this metaphysical material, the foundation of European civilization, the very material of temples and mega structures – lies with all its beauty at the heart of this performance. The five performers are confronted with its weight and stiffness creating a landscape overwhelmed by the sounds of their effort to interact with it.

The team filmed the work’s entire creation process, from the moment the marble was cut to its installation on the Onassis Stegi stage, and from the performance being set up to its final completion.

Ever since its founding, the group’s work has been supported by important European entities. It has also developed collaborations with important artists such as Akram Khan and John Paris, toured a series of countries, and received prestigious honors and awards.

Credits

  • Artistic Directors & Choreographers

    Rootlessroot - Linda Kapetanea, Jozef Fruček

  • Performed by

    Anna Calsina Forrellad, Elena Topalidou, Hyajin Lee, Linda Kapetanea, Martha Frintzila

  • Composer

    Vassilis Mantzoukis

  • Musicians on Stage

    Vassilis Mantzoukis, Kostas Nikolopoulos, Nikos Papaioannou, Panagiotis Manouilidis

  • Set Design & Visual Contributors

    Thomas Randall-Page, Peter Randall-Page

  • Set supervision

    Paris Mexis

  • Sound Designer

    Christos Parapagidis

  • Sound Engineering

    Yiannis Skandamis

  • Lighting Designer

    Periklis Mathiellis

  • Costumes Designer

    Isabelle Lhoas

  • Texts Editing

    Ioanna Nasiopoulou

  • Photographer

    Alexandros Papathanasopoulos

  • Tour Support by

    Hellenic Ministry of Culture and Sports

  • Production Management & Touring

    Cultόpια

  • Produced by

    Onassis Stegi

The performance includes the song “How Should I Your True Love Know”.
Lyrics: the first of Ophelia’s “mad songs” from Shakespeare’s “Hamlet” (Act IV, Scene 5).
Traditional song by an unknown composer.

Filming

  • Creative Head

    Cristos Sarris

  • Filmed by

    dotmov

  • Directed by

    Andreas Loukakos

  • Head of Production

    Labros Papadeas

  • Camera Operators

    Xenofon Vardaros, Leonidas Papafotiou, Gabriella Gerolemou, Giorgos Harisis, Sofia Sfyri

  • Post Production

    Panagiotis Parnassas

  • Sound Mixing

    Christos Parapagkidis

  • Greek subtitles

    Ioanna Nassiopoulou

  • subtitles

    authorwave

  • Production

    Onassis Stegi

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