Prometheus

based on Aeschylus' “Prometheus Bound” Directed by Nikos Karathanos

Dates

Prices

5 — 28 €

Location

Onassis Stegi

Time & Date

Day
Time
Venue
Day
Wednesday - Sunday
Time
20:30
Venue
Main Stage

Information

Tickets

Onassis Stegi Friends presale: from 17 SEP 2021 17:00
General presale: from 20 SEP 2021, 17:00

Full price: 7, 15, 18, 28 €
Reduced, Friend & Groups 5-9 people: 12, 15, 22 €
Neighborhood residents: 7 €
People with disabilities, Unemployed: 5 €
Companions: 10 €

Group ticket reservations at groupsales@onassis.org

Age guidance

16+

English Surtitles

Friday 15, Saturday 16, Sunday 17,
Friday 22, Saturday 23, Sunday 24,
Thursday 28, Friday 29 & Saturday 30 October

Duration

1 hour & 35 minutes (no interval)

“A roof overhead and a little fire is all humankind ever wanted – and it is captive to both.” Nikos Karathanos’ Prometheus is coming to bring us nothing but a blast of freedom.

Instead of a director's note: "Hurled in our own corners, we each do what we can."

Nikos Karathanos

There is no Caucasus here. No rock, no chain; nothing to keep Prometheus bound. Everything takes place inside a house. A house-cum-meteorite hanging in space-time, engulfed by the four natural elements. Prometheus (Nikos Karathanos), Power and Hermes (Christos Loulis), Bia and Io (Galini Hatzipaschali), Hephaestus and Oceanus (Giannis Kotsifas) – all live here, like a family, making worlds.

“To live is to devour light and darkness, every minute.” Nikos Karathanos gives us his take on this tragedy by Aeschylus, attempting – in his own words – to “mythologize daily life”: “I’ve always tried to understand how pain inside a room can escape those four walls, travel through the air, birth gods and monsters, and bring us myth.”

This acclaimed artist – a perceptive observer of transcendence through readings of the familiar – directs, and performs as Prometheus. He recognizes each and every one of us in this character. “Prometheus represents you and me and everyone, in that moment where we look upon the reality of life and it looks back at us. There is something so very ancient inside every human being that makes time bend away in shame,” he notes.

Nikos Karathanos is turning his hand to ancient Greek drama for a second time, after tackling Aristophanes’ “Birds”; it is a source material that moves him because “it seems to be telling me constantly that ‘the opinions I have are my tomb, and justness is my resurrection’”.

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    Photo: Andreas Simopoulos

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    Prometheus | by Nikos Karathanos

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    Photo: Andreas Simopoulos

This work is dedicated to the memory of our Elli – Elli Papageorgakopoulou.

Read More

“Prometheus Bound” is considered one Aeschylus’ late works. It is speculated to have been written between 475 and 470 BCE. Certain scholars still consider the date of its creation to be an open question. It is the only surviving work of Greek tragedy in which all the dramatis personae – with the exception of Io – are divine in status. In other words, “Prometheus Bound” is an affair that unfolds among immortals.

“Prometheus Bound” is Nikos Karathanos’ second directorial engagement with ancient Greek drama, following his 2016 take on Aristophanes’ “The Birds” which premiered at the Athens Epidaurus Festival and was produced by Onassis Stegi.

“The Birds” were first presented beyond Greek borders in May 2018, at the legendary St. Ann’s Warehouse theater in Brooklyn, New York. The work was included in New York Magazine’s online “Vulture” list of that year’s Ten Best Theater Productions. Two years later, “The Birds” put in an appearance at the Santiago a Mil International Theater Festival in Chile, in the midst of major social and political upheaval.

As part of 2018’s pilot Onassis AiR scholarship initiative, Nikos Karathanos undertook a multi-phase program of research trips in central Europe before going on a phenomenological research and practice trip across regions of Brazil, Argentina, and Chile.

Credits

  • Translation/text

    Yiannis Asteris

  • Adaptation

    Nikos Karathanos, Yiannis Asteris

  • Direction

    Nikos Karathanos

  • Set Design

    Eva Manidaki

  • Costumes Design

    Aggelos Mentis

  • Lights Design

    Felice Ross

  • Music

    Angelos Triantafyllou

  • Movement

    Amalia Bennett

  • Sound Design

    Yiorgos Poulios

  • Sound Engineer

    Kostis Pavlopoulos

  • Collaborator Director

    Marisha Triantafyllidou

  • Assistant to Director

    Ioanna Bitouni

  • Assistant to Set Designer

    Anna Zoulia

  • Assistant to Costumes Designer

    Olga Evangelidou

  • Production Assistant

    Nikos Charalambidis

  • Rehearsals Assistants & Filming

    Dimitris Stavropoulos, Orestis Stavropoulos

  • Music Rehearsals Assistants

    Alexandros Balaouras, Giorgos Braoudakis, Nikolas Sarlis

  • Set Construction

    Lazaridis Scenic Studio

  • Sculptor & Special Constructions

    Sokratis Papadopoulos

  • Set Design Painter

    Nikos Karras

  • Sculptor & Special Constructions Assistants

    Stefanos Grammenos, Nikoleta Sotiriou

  • Actors

    Nikos Karathanos, Yiannis Kotsifas, Christos Loulis, Galini Chatzipaschali

  • Musicians on stage

    Angelos Triantafyllou, Yiorgos Poulios, and Dimitris Gkogas (trumpet), Yiannis Gounaris (horn), Yiannis Kaikis (trombone), Ntinos Triantafyllou (tuba)

  • Line Production

    POLYPLANITY Productions/ Yolanda Markopoulou & Vicky Strataki

  • Surtitles Translation

    Orfeas Apergis

  • Simultaneous Surtitling

    Yannis Papadakis

  • Produced by

    Onassis Stegi

"Prometheus" Tour is supported by Onassis Stegi’s “Outward Turn” Cultural Export Program.

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