Festival

Onassis New Choreographers Festival 9 — ONC 9

Dates

Tickets

Free entrance events and events with tickets 5 — 7 €

Venue

Onassis Stegi

Time & Date

Day
Time
Venue
Day
Friday 11 - Sunday 13 March
Time
16:30-23:00
Venue
Onassis Stegi

Information

Tickets

Onassis Stegi Friends presale: from 15 FEB 2022, 17:00

General presale: from18 FEB 2022, 17:00

Full price: 7 €
Reduced, Friend & Groups 5-9 people: 6 €
Groups 10+ people, Unemployed, People with disabilities, Companions: 5 €

Group ticket reservations at groupsales@onassis.org

ONC9

The festival program is the same across all three days

For those who decide to see all the productions in a single day, the festival will last around six hours in total

Both installations are free entry, and open to the public from 16:30 till 22:45

Introduction

A six-hour, three-day marathon featuring six original works and two installations, all redefining our relationship with reality as it dances roaring by. This is the Onassis New Choreographers Festival 9. Can you dance to the beat of tomorrow’s drum?

Live works tackling our todays and our tomorrows. Artists more than ready to throw dance balls in the heart of Athens, going beyond the limits of contemporary dance and opening themselves up to the broader hybrid arts landscape. Greece’s foremost festival for a new generation of dance artists (and more) is back for a ninth year, with live works presented on the stages of Onassis Stegi.

Works by artists who aren’t necessarily just choreographers, or new on the scene in terms of their age. Artists who do not censor themselves when it comes to their creative backgrounds, their temperament, and their conceptually complex or even rarefied content, and are instead more than ready to enter into international synergies at the ends of the earth. Artists who never hesitate when it comes to being highly personal, reactionary, and political, yet effortlessly emotional at the same time.

Six whole hours of dance presented across three days. ONC9 is here, all packed into one evening, with both commissioned artists making their Onassis Stegi debuts, and works that sprang from ongoing partnerships with movement and dance makers.

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Works at ONC9 – their titles and intents

Six minutes of ecstasy. Over and over again. A scene from the 1735 opéra-ballet by Jean-Philippe Rameau performed in the krump street dance style – a dance form and act of resistance that sprang from the Los Angeles ghetto in the late 1990s – features in a video installation, set inside the Onassis Stegi foyer, that sets the beat and tone for this year’s entire festival (Clément Cogitore, “Les Indes Galantes”). Because at least two wonderful things are happening here: no-one will be able to sit still when next they hear music by Rameau, and an act of public recourse is holding sway. The sanctum that is opéra-ballet hands the dance floor over to whom it rightfully belongs: to those who dance in the streets, demanding emancipation from violence, from fear, from power, and saving us all from the stereotypes of what dance, art, and life itself should (or should not) be.

Constantine Skourlis, Dafin Antoniadou, and Alexandros Vardaxoglou transport us into a science fiction, or rather, an ontological fiction setting with their transmedia installation (“DEEP HORIZON”).

“When was the last time you felt like a robot?” asks Manolis Saridakis before inviting us all to meet on the same dance floor in the work he created as part of the Europe Beyond Access program, and within the framework of Onassis Stegi’s ongoing commitment to making dance accessible to persons with disabilities (“Do Robots Have Emotions?”).

An experiment involving bodies, sounds, and objects is choreographed by Ioanna Paraskevopoulou (“MOS”).

A “pink manifesto” against the patriarchy proclaimed by five Amazons of Latin dance, camp, and kitsch is brought to you by Alexandros Stavropoulos (“On Wednesdays We Wear Pink”).

Lessons in 21st-century etiquette are given by Konstantinos Papanikolaou (“A User’s Manual”).

Two amplifiers, 14 speakers, and original songwriting all play their part in the piece by Fotini Stamatelopoulou (“optimal soft”).

And, last but not least, Ilias Chatzigeorgiou choreographs four street dancers in order to talk about another kind of masculine “pulse”, one brought to you by the pioneers of Greek hip hop (“A BOUNCE 4 MEN”).

When it comes to dance, we’re talking about a multisensory, collaborative, physical, experiential, and public experience

Program

Friday 11 - Sunday 13 March

Les Indes galantes” | Clément Cogitore
16:30-23:00 | Main Lobby Foyer

DEEP HORIZON” | Dafin Antoniadou, Alexandros Vardaxoglou, Constantine Skourlis
16:30-21:00 & 22:00-23:30 | Exhibition Hall -1 (Gallery Space Room)

Do Robots have emotions?” | Manolis Saridakis
17:00 & 18:30 | Back of House

MOS” | Ioanna Paraskevopoulou
17:30 | Upper Stage

On Wednesdays We Wear Pink” | Alexandros Stavropoulos
19:00 | Main Stage

A User’s Manual” | Konstantinos Papanikolaou
20:00 | Upper Stage

optimal soft” | Fotini Stamatelopoulou
21:00 | Exhibition Hall -1 (Gallery Space)

A BOUNCE 4 MEN” | Ilias Chatzigeorgiou
22:00 | Main Stage

Curatorial Note
Contemporary dance is an open discipline. Ready to embrace the effects of all that’s happening “out there” and “from the grass roots up”. Everything from Bronx hip hop and South Korean gangnam, Los Angeles krumping and New York breakdancing through to voguing balls and TikTok dance challenges – from bodies asserting new identities through to the dances of those out protesting, out fighting for all that is rightful and obvious but not yet a given. Because what’s important right now is to reawaken our senses. To see more. To hear more. To feel more. To take in ALL THE REALITY WE CAN GET. In the paraphrased words of Susan Sontag: “History is dancing – roaring by. The way we look at something is itself a product of historical consciousness.”

—Iliana Dimadi, Afroditi Panagiotakou, Konstantinos Tzathas

Credits

Curated by
Iliana Dimadi, Afroditi Panagiotakou, Konstantinos Tzathas
Production Manager
Dimitra Dernikou
Production Management
Theodora Kapralou, Akis Chontasis
Line Production
Marianota Giannaki, Danai Giannakopoulou, Despina Sifniadou, Ioulia Stamouli
Technical Manager
Lefteris Karabilas
Deputy Technical & Touring Manager
Philip Hills
Coordination of Cultural Exports Activities
Christina Liata
Campaign Design
Onassis Communication Department
Filming Coordination
Christos Sarris
Onassis Channel assistant
Smaragda Dogani
Production
Onassis Stegi