Music Connects the Onassis Stegi and the Panteion University, Vol. 8

The Legacy of Debussy

Program:

Panayiotis Demopoulos (b. 1977): “Tingis”* (2023), commissioned by Onassis Stegi

Betsy Jolas (b. 1926): “Pièce pour”** (1997)

Maurice Ohana: “24 Preludes” (selection)** (1972-1973)

Panayiotis Demopoulos: piano

Spain, Africa

The first musical influences of Casablanca-born and of Spanish origin composer is Arab-Andalusian music, classical flamenco, and cante jondo. During the Second World War, Ohana is stationed in British colonies in Africa and is deeply impressed by the rhythmic wealth of the traditional music he hears there. The second concert’s program, tracing the initial roots of his inspiration, combines traditional songs from Spain and Nigeria with works of two of his students and friends: French Édith Lejet, whom she met through their mutual interest for Lorca, and Spanish composer of Basque origin, Félix Ibarrondo. Awarded composer Ismini Beck will offer her own contribution to this musical universe though a work for mezzo-soprano and piano commissioned by Onassis Stegi.

Program:

Federico García Lorca (1898-1936)

Canciones Españolas Antiguas

“Las morillas de Jaén”

“El café de chinitas”

“Nana de Sevilla”

Maurice Ohana

Chansons Populaires Espagnoles

“Cuando paso por el Puente”

“Nana” (1947)

“Tango el mariquita” (1947)

“Neige sur les orangers”

Édith Lejet (b. 1941): “Fleurs d’Opale”** (1997)

Félix Ibarrondo (b. 1943): “Preludio”** (2006)

Akin Euba (1935-2020): “Six Yoruba Folk Songs”**

Ismini Beck (b. 1997): "where are you going"* (2023), commissioned by Onassis Stegi. The work’s text is based on Rainer Maria Rilke’s “Duino Elegies,” translated in Greek by Maria Boukoura, Athens: Eridanus Publications, 2013, p. 136

Chrysanthi Spitadi: mezzo soprano

Pavlos Kordis: piano

Sailing to America

The works of the concert invite us on a transatlantic journey with oboe and piano as the main vehicles. Ohana adored the ocean and composed while listening to its sounds from his home on the coast of Brittany. Edith Canat de Chizy, student and researcher of Ohana’s work, brings the sound of lapping waves close to our ears while “sailing” with a piano. André Jolivet, a friend and musical co-traveler of Ohana, transports us to Venezuela through the sounds of a local boatman’s song. Remaining in Latin America, Thierry Pécou follows in Ohana’s footsteps and channels the rhythmic core of Afro-Cuban music. The journey is complemented by the works of two talented rising composers, Antonis Rouvelas and Mihali Paleologou, in their Greek and world premieres.

Program:

Antonis Rouvelas (b. 1987): “Viomata I (short version),” for solo oboe** (2015)

André Jolivet (1905-1974): “Chant pour les piroguiers de l'Orénoque,” for oboe and piano** (1953)

Thierry Pécou (b. 1965): “Perroquets d'Azur,” for solo oboe** (1993)

Maurice Ohana: “Neumes,” for oboe and piano** (1965)

Edith Canat de Chizy (b. 1950): “Sailing,” for solo piano** (2020)

Mihali Paleologou (b. 1981): “Introspections,” for solo oboe* (2023)

Christos Tsogias-Razakov: oboe

Katerina Konstantourou: piano

Presentation of the program “Music Connects the Onassis Stegi and the Panteion University vol. 8”

The event is organized in collaboration with the Contemporary Music Lab of the School of Music Studies (AUTH).

* World premiere

** Greek premiere