Hommage to the composer Anestis Logothetis: conference
Dates
Tickets
Venue
Time & Date
Information
Tickets
Free admission
General Information
The official languages are Greek and German.
Entrance is free and on a strictly first come, first served basis.
Introduction
Anestis Logothetis is one of the leading pioneers of 20th century composition and his graphic notation system, developed around 1958, is a milestone in the evolution of musical notation.
The conference aims to gather researchers from all around the world –specialists on Logothetis’ music or young researchers– who are interested in graphic representation of sound and will approach his music and his unique graphic musical notation.
Friday 8 June
9.00-9.30: Registration
9.30-10.00: Welcome Addresses
Christos Carras (Onassis Stegi)
Anastasia Georgaki (National and Kapodistrian University of Athens)
Gerhard Eisl (Minister Plenipotentiary, Embassy of Austria)
Kostas Moschos (ΙΕΜΑ)
HONOURED LECTURES
Chair: Anastasia Georgaki
10.00-10.30 – Julia Logothetis
10.30-11.00 – Oly Psychopedi
11.00-11.30 – Dieter Kaufmann
11.30-12.00: Coffee Break
SESSION Ι – Musicological views of the visual
Chair: Antonios Antonopoulos
12.00-12.30 – Matthias Henke: Clotted Music, liquid Architecture – the “Dynapolis”-Concept of Greek Urban Planner Konstantinos Doxiadis in the Compositional Transformation of Anestis Logothetis
12.30-13.00 – Konstantinos Kakavelakis: Mediation and immediacy in the music graphic meta-notations of Anestis Logothetis
13.00-13.30 – David Magnus: Aural latency. Aesthetic and Operativity of graphic scores by Anestis Logothetis
13.30-17.00: Break
SESSION ΙΙ – Aesthetical concepts on interpretation
Chair: Konstantinos Kakavelakis
17.00-17.30 – Thomas Gorbach: Anestis Logothetis in the Acousmatic Mirror
17.30-18.00 – Kostas Moschos: Performing A. Logothetis graphical score through electroacoustics
18.00-18.30 – Mike McInerney: Reviewing the consistent interpretative aesthetic in Logothetis’ graphic scores
18.30-19.00 – Panos Vlagopoulos: The Material State of Music: From Logothetis to Nelson Goodman and Back Again (Thru Deleuze)
Saturday 9 June
SESSION ΙΙΙ – Analytical aspects of graphic scores
Chair: Kostas Moschos
10.00-10.30 – Manos Panagiotakis: Icon and Symbol as Interpretation on sound and texture - An essay on Anestis Logothetisʼ “Globus” for Flute & Tape
10.30-11.00 – Antonios Antonopoulos: Form and Sonic Content in Anestis Logothetis’s late Works – Analyzing 2-Stimmigkeit
11.00-11.30 – Maria-Dimitra Baveli: Anastasis Hörspiel – interconnections between sound and symbol
11.30-12.00: Coffee Break
SESSION ΙV – Information theory and aesthetics
Chair: Makis Solomos
12.00-12.30 – Iakovos Steinhauer: Relationships between sound and image in the musical aesthetics of Anestis Logothetis
12.30-13.00 – Anastasia Georgaki: Interactivity and information in “Kybernetikon” Hörspiel of Anestis Logothetis
13.00-13.30 – Iannis Zannos: Representing action: from musical notation to code
13.30-17.00: Break
SESSION V – The impact of Logothetis works on arts and education
Chair: Maria-Dimitra Baveli
17.00-17.30 – Makis Solomos: Anestis Logothetis: a Greek from the Diaspora in the maelstrom of European Avant-garde
17.30-18.00 – Dimitris Michalaros: Anestis Logothetis: The inception in visualizing the sound, within the work of the Visual Artist Dimitris Michalaros
18.00-18.30 – Aggeliki Kordellou: Introducing “Globus” of Anestis Logothetis to the classroom. Graphical representation of sound as initiation tool into music currents of the 20th century
18.30-19.30 – Roundtable coordinated by Theodore Antoniou (Composer, Conductor, Professor Emeritus of Music, Boston University)
With the participation of:
Michalis Adamis (Composer, Honorary Dr, University of Athens)
Joseph Papadatos (Composer, Professor, Ionian University, Corfu)
Minas I. Alexiadis (Composer, Associate Professor, Department of Theatre Studies, University of Athens)
