Theater

The Encounter

Complicite / Simon McBurney

Dates

Prices

5 — 45 €

Location

Onassis Stegi

Time & Date

Day
Time
Venue
Day
Friday-Sunday
Time
20:30
Venue
Main Stage

Information

Tickets

The EARLY BIRD tickets are sold out.

The next presale phase will start on 23 FEB:
Full price: 15, 18, 25, 36, 45 €
Reduced & Small groups (5-9 people): 11, 14, 20, 29, 36 €
Large groups (10+ people): 9, 12, 18, 27, 34 €
People with disabilities: 5 € - Companions: 10 €
Unemployed: 5 €

Age guidance

12+

Duration

2 hours (no intermission)

General

Scroll down to read info about hearing-impaired audiences.

An ‘exotic’ hi-tech experience beams us into the tropical rain forests of the Amazon and into the realms of the subconscious. Our guide, the founder of the company that would go on to change the contemporary theater for good: Simon McBurney in person!

Are you ready for a first: a synaesthetic experience which invites us to commune as never before with nature, time, memory, culture—and hence with ourselves?
A restless explorer of theatrical narrative, new technology and audiovisual form, founder of the legendary Complicite theater company, which has defined and redefined the contemporary international scene since 1983, the dramatist, director and actor Simon McBurney performs in Athens for the first time.

“The Encounter”, a solo recital by McBurney, is Complicite’s latest production, an international co-production with the Edinburgh International Festival, the Onassis Stegi, the Théâtre Vidy-Lausanne and another three important European theaters.

It all started with a book McBurney read twenty years ago and never forgot: “Amazon Beaming” by the Rumanian author Petru Popescu. The work relates the true story of a “National Geographic” photo journalist, Loren McIntyre, who in 1969 disappeared into the rainforests between Peru and Brazil on an assignment to find the mythical source of the Amazon. Rescued by the members of an unknown tribe, he was initiated through their rituals into a strange, consciousness-expanding experience.

McBurney promises us a similar experience. All he asks is that we wear headphones in a playful ritual which is clearly of 21st-century provenance. And that’s because the distinguished sound-designer Gareth Fry (London Olympics, 2012) uses advanced binaural technology to create a 3D-audio soundscape of the primeval—and now endangered—Amazon ecosystem; it’s as though we’re right there in the Earth’s lung.

The Encounter

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    Photo © Stavros Petropoulos

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    Photo © Stavros Petropoulos

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    Photo © Stavros Petropoulos

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    Photo © Stavros Petropoulos

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    Photo © Stavros Petropoulos

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    © beetroot

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    Photo © Robbie Jack

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To the question “What is Complicite?”, Lyn Gardner – theater critic of “The Guardian” newspaper – replied: “It is the reason I go to the theater.”

The Complicite theater company was founded in 1983 by Simon McBurney (who continues as its artistic director), Annabel Arden, and Marcello Magni. The company has toured the globe, winning more than fifty major theater prizes. Influenced by the work and methods of the French actor, mime, and theater coach Jacques Lecoq, the company has presented its entirely unique take on devised and physical theater around the world.

Turning their name into action (“complicité” in French means “complicity”), the company’s actors always seek to “conspire” in some way with audiences, activating their senses and/or memories in an interactive way. For “The Encounter”, we are asked to wear headphones (hearing), while in “Mnemonic”, we were asked to hold a leaf (touch).

“Can you help us?” posted Complicite to its “friends” on Facebook, asking anyone who wanted to send in unwanted ceramic items (bowls, plates, and so on) to be smashed for the needs of “The Encounter”.

Theater fans from across Greece – 2,475 of them in all – made their way to Thessaloniki in the autumn of 2002 to see Complicite’s first appearance in the country, performing their legendary production “Mnemonic” at the National Theater of Northern Greece (Vassiliko Theatro – Royal Theater, 31 October & 1-2 November 2002).

Simon McBurney’s muse is the internationally-acclaimed actress Kathryn Hunter (of Greek descent, born Aikaterini Hadjipateras), who is the wife of Complicite’s co-founder Marcello Magni.

Actress Emma Thompson and McBurney have been best friends ever since they were teenagers.

Simon McBurney was ranked 31st on a list of “the 100 most powerful people in British culture” compiled by British newspaper “The Telegraph” in 2008.

McBurney voiced the house-elf Kreacher in both the seventh film of the Harry Potter franchise and its accompanying video game (“Harry Potter and the Deathly Hallows: Part I”, 2010).

Greek actor and director Costas Filippoglou has collaborated extensively with Complicite.

Loren McIntyre (1917-2003) was an officer in the US Navy who went on to study ethnology and South American culture. He became known as one of the most influential photojournalists in the world, working with “National Geographic” and other publications. He wrote a number of books, chief among them “The Incredible Incas and Their Timeless Land” (1975) and “Amazonia” (1991); his books have yet to be translated into Greek. He was a co-writer, co-producer and researcher on the IMAX documentary “Amazon” (1997).

Between 1935 and 1983, McIntyre traveled non-stop around the US and South America. In 1971, he led a “National Geographic” expedition seeking the source of the Amazon River. He entered the Guinness Book of World Records for the discovery of a lake that took his name (Laguna McIntyre) in the Peruvian Andes, which was initially deemed the true source of the Amazon. Later studies revealed that the lake was not the river’s actual headwater. It should be noted that the precise headwater of the Amazon has been sought after since the 17th century.

McIntyre and his family kept a Colombian white-faced capuchin money (Cebus capucinus) named Chi Chi as a pet for 31 years.

Around 100 uncontacted communities of indigenous peoples are thought to live today in the Amazonian rainforest.

During the time of the Ceaușescu regime, Romanian writer Petru Popescu (born 1944) escaped to the US, where he became a famous, best-selling author of novels and screenplays. He was one of three co-writers of the allegorical eco-thriller “The Last Wave” (known as “Black Rain” in the US, 1977), directed by Peter Weir, and starring Richard Chamberlain as an Australian lawyer defending five Aboriginals accused of murdering one of their own. Freak weather phenomena appear, pointing to an ancient prophecy about a “Second Wave” that threatens a new Armageddon.

Gareth Fry, who created the sound design for “The Encounter”, is the award-winning sound designer of the London 2012 Olympic Opening Ceremony, and has worked with major UK theater artists, companies and institutions, including Katie Mitchell, DV8, and the Old Vic Theater.

Binaural beats were discovered by German physicist Heinrich Wilhelm Dove in 1839. The binaural hearing effect occurs when two almost identical frequencies (under 1500 Hz) are played separately into each ear, so that the brain picks up on the differences in rate between the two sounds. Through the use of stereophonic headphones, the brain combines the two signals to create the sensation of a third sound, which is called a binaural beat. An ever-increasing number of studies point to the positive effects of binaural beats on brain function.

Parallel Events

Saturday 2 April

After performance talk with Simon McBurney
Chaired by Dr Katia Arfara, Artistic Director of the Theater and Dance Department at the Onassis Stegi.

Sunday 3 April

Workshop with Kirsty Housley, the co-director of “The Encounter”.

Hearing impaired customers

If you are a hearing aid user please bring along your direct input cable for use during the performance and make yourself known at Box Office upon arrival so that our technicians can talk you through how best to experience the show. If you don’t have a direct input cable or if you have any kind of hearing impairment make yourself known at Box Office and we will adapt the equipment accordingly.
As "The Encounter" is an extremely sound heavy show, there is no provision for Deaf audiences.

Credits

  • Director and Performer

    Simon McBurney

  • Co-director

    Kirsty Housley

  • Set Design

    Michael Levine

  • Sound Design

    Gareth Fry, Pete Malkin

  • Lighting

    Paul Anderson

  • Projection

    Will Duke

  • Director’s Assistant

    Jemima James

  • Inspired by

    the novel "Amazon Beaming" by Petru Popescu

  • Coproduced by

    Barbican (London), Edinburgh International Festival, Onassis Stegi, Schaubühne Berlin, Théâtre Vidy-Lausanne and Warwick Arts Centre

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