Palm in Palm
Ioanna Angelopoulou
Dates
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Time & Date
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Tickets
Full price: 7 €
Reduced/Small groups (5-9 people): 6 €
Large groups (10+ people), People with disabilities, Unemployed: 4 €
Companions: 7 €
Duration
30 minutes
Taking as a starting point Hesiod’s "Theogony", this work is about the birth of the world. Chaos, Night, Gaia, and Uranus, freedom, and oppression are interconnected in a dance production that re-examines the wisdom of myths and their erotic overtones.
According to Hesiod’s "Theogony", at the beginning there was Chaos; Chaos here conveys the meaning of a ‘gap’, of a dark empty space rather than ‘disorder’. From Chaos came Erebus and Night; without any love union, Gaia gives birth to Uranus. Entwined, they are an inseparable. What can bridge these cosmological views with contemporary dance? Does creation itself have a cosmogonic character?
Having recently completed her post-graduate studies in choreography, Ioanna Angelopoulou returns to Athens to present her second version of "Palm to Palm". Her work re-examines the cosmogonic myth and its erotic overtones. It seeks to find correlations between bodily conditions and such notions as freedom and oppression. A cone construction on stage and the soundscape, composed of the polyphonic vocal group Pleiades, create a personal and archetypal space. The dancers engage in actions where embracing is interchanged with violent repulsion, proximity with distance. In other words, it is a kinesiological study that attempts to place us at the ‘origin of things’, to touch our utmost inner being, before bringing into light an ideal co-existence of body and sound analogous to the relationship of Gaia and Uranus.
Photo: Ioanna Chatziandreou
Parallel Events
Thursday 24 March | 23:00
After the last performance, a talk will be held with the participating artists.
Moderated by Christiana Galanopoulou, art historian & artistic director of MIRfestival
Dance workshop with Colleen Thomas
In this two-days workshop we will utilize improvisation, contact partnering, and the seeds of composition.
Colleen Thomas is a New York based choreographer and performing artist. She is currently an Associate Professor of Professional Practice in Dance at Barnard College of Columbia University. Her work as a choreographer and dancer has been presented internationally in Hong Kong, Estonia, Venezuela, Peru, Brazil, and Russia, and in New York at venues including Danspace Project, DTW, New York Live Arts, The Miller Theater, Danny K. Playhouse, The Harkness Center at the 92nd Street Y, and The Kumble Arts Center. She has worked with renowned contemporary choreographers such as Nina Wiener Dance Company, Donald Byrd/The Group, Bebe Miller Dance Company, and Bill T. Jones/Arnie Zane Dance Company among others.Addressed to: Dancers and choreographers
Language: English
Dates: Monday 21 March | 10:00-11:30 & Tuesday 22 March | 12:00-13:30
Reservation: Email: education.stegi@onassis.org
Credits
Conception & Choreography
Ioanna Angelopoulou
Dancers
Maria Paizi, Alin Batanian, Yannis Stavropoulos
Set Design
Kostas Paschalidis
Music (curation & performance)
Pleiades – Vassoula Delli, Asimina Patkou, Ioulia Routziou, Roula Tsernou
Costume Design
Anna Karatza, Lena Papamichael
Lighting Design
Nikos Vlassopoulos
Dramaturgy Consultants
Menti Mega, Sofia Anastasopoulou
Voice Consultant
Nefeli Stamatogiannopoulou
Many thanks to
Zafeiris Nikitas, Vago Tedosio, and Ioannis Mitro for their crucial comments and their practical help; Antonis Strouzas for his martial-arts input regarding the movement of performer; and Stefanos Koumaras and Yiorgos Kaplanidis for their support with photography
Research for this work was supported by Palucca University and the Isadora & Raymond Duncan Dance Research Center, where the work was first performed.
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