Kite aka Suzanne Kite
Kite aka Suzanne Kite is an Oglála Lakȟóta performance artist, visual artist, and composer raised in Southern California, with a BFA from CalArts in music composition, an MFA from Bard College’s Milton Avery Graduate School, and is a PhD candidate at Concordia University. Kite’s scholarship and practice investigate contemporary Lakota ontologies through research-creation, computational media, and performance. Recently, Kite has been developing a body interface for movement performances, carbon fibre sculptures, immersive video and sound installations, as well as co-running the experimental electronic imprint Unheard Records. Kite has also published in several journals and magazines, including in The Journal of Design and Science (MIT Press), where the award-winning article “Making Kin with Machines” (co-authored with Jason Lewis, Noelani Arista, and Archer Pechawis) was featured. Currently, she is a 2019 Pierre Elliott Trudeau Foundation Scholar, a 2020 Tulsa Artist Fellow, and a 2020 Women at Sundance x Adobe Fellow.
Encounters with Aquatic Chimeras
You and AI: The AI Survival Guide
Learning to See
Epigraph for non physical entities spirits that exist outside material cultures
Webinar, Conference
The Ethics of Disruption: From AI to Bioethics in Art and Research
Online