Dimitris Skyllas: AFTERPOP − 2022
An Onassis Culture Production
From the Greek mountains to BBC's grand stages, the 35-year-old provocative composer Dimitris Skyllas shares his secrets of today's music making. The ritualistic musician, the party freak, and all the life in between. A visionary gesture to break the stereotypes of classical music in our fast, pop-consuming universe.
“What is classical music? Classical music is Beethoven.” How can we move from this idea to today's reality? Is there such a thing as classical music of our time? afterpop was made to bring a fresh, personal perspective on the subject. Following the creative life of the composer Dimitris Skyllas, the film functions as a contemporary statement of what it means to be an active, young composer in the 21st century. Through a journey that begins on the bucolic cliffs of Greek mountain Pelion and meets its climax at the Barbican Centre's main stage, Skyllas represents a vivid proof that right here, right now, classical composers and other intellectual creatives are no different to popstars. They live among us; they eat, they laugh, the make love, they worry, they dance ecstatically at a party.
afterpop's timeline is linear. It is the journey of Kyrie Eleison, a major symphonic work commissioned by the BBC Symphony Orchestra, making it the first Greek piece ever to be commissioned by the colossal, international orchestra for the Barbican. During this time, we see how the work's skeleton is built step by step, from the first note using just a pencil and paper, until it reaches the rehearsal process between the composer, the conductor, and 90 BBC musicians. From a luminous balcony under the Greek sun and Dionysian mountain festivals, from various churches and cathedrals, London soirees with friends, night walks on river Thames, to the iconic Maida Vale studios where the Beatles, David Bowie, and Beyonce performed and recorded their music, the film attempts to answer the most cliché, but honest question of the public: how does one write a piece of orchestral music.
For the composer himself, afterpop is a clear statement of hope. It is a state of being, a way to maintain his vision alive, untouched by the fast, consumable trends that surround our everyday life. It is a provocation to the idea of what popular really means; is it the instant, feel-good art of millions of users of today or is it the eternal artworks that came before and will remain after those trends? Between an old-time-classic and a pop persona, Skyllas describes the title afterpop as his most inspiring hour, his 'creative dawn,' the meditative time and stage between the end of a big party and before going to sleep, where he perceives the ideas of his new music.
Being the first composer of his generation to release a full-length documentary film about his life and music, afterpop is a symbolic expression to create the public's awareness and bring more attention to the unseen life of contemporary composers, especially those of the younger generation.
The original soundtrack of the film is signed by Dimitrios Skyllas and powered by Onassis Stegi. It will be released as an album after the film's premiere.Festivals & Awards
Thessaloniki Documentary Festival 2024 - special screening and international launch of the original soundtrack by Dimitris Skyllas
South Film and Arts Academy Festival [SFFAF], Chile - Winner for Best Documentary Feature 2023
Golden Giraffe International Film Festival 2023, France - Winner for Best Soundtrack
Santorini International Film Festival 2023
Peloponnisos Internarional Documentary Festival, Kalamata 2023
Istanbul Film Festival 2024 by IKSV Foundation
Seeing yourself, your family, your friends, and your own work, all brought together in a film, and then even composing its soundtrack, is something I would never have imagined that could happen to me, let alone in my thirties.
Film Stills
I feel very lucky, because in a time of unprecedented restrictions and limitations, I had the chance to take part in a journey of absolute freedom. A journey of ideas, music, and contact.
Credits
Director: Dimitris Zivopoulos
Cinematography: Dimitris Zivopoulos
Editor: Dimitris Zivopoulos
Sound Mix: Panagiotis Papagiannopoulos
Color: Manthos Sardis
DCP Mastering: MetaPost
Original Soundtrack: Dimitris Skyllas
Volos Shooting
Producer: Christos Sarris
Director: Dimitris Zivopoulos
Camera: Dimitris Zivopoulos, Konstantinos Zirganos Kazoleas
Sound: Vassilis Zabikos
Athens Shooting
Camera: Dimitris Zivopoulos, Christos Sarris
Drone Operator: Yagos Papadopoulos
London 1st Shooting
Director: Dimosthenis Grivas
Cinematography: Dimitris Zivopoulos
Camera: Dimitris Zivopoulos, Dimosthenis Grivas
Sound: Vassilis Zabikos
London 2nd Shooting
Producer & Director: Vania Turner
Cinematography: Dimitris Zivopoulos
Camera: Dimitris Zivopoulos, Vania Turner
Sound: Panagiotis Papagiannopoulos
BBC Symphony Orchestra
Leader: Igor Yuzefovich
Conductor: Robert Spano
BBC Recording Engineer: Susan Thomas
BBC Recording Producer: Ann McKay
Onassis Team
Director of Culture: Afroditi PanagiotakouDeputy Director of Culture: Dimitris Theodoropoulos
Onassis Stegi Executive Director: Christos CarrasHead of Creative: Christos Sarris
Motion Graphics: Constantinos Chaidalis
Producer: Elena Choremi
Production Assistant: Smaragda Dogani
Group Communication and Content Manager: Demetres Drivas
Content Leader: Alexandros Roukoutakis
Campaign Manager: Elisavet Pantazi
Copywriter: Elizampetta Ilia Georgiadou
Social Media Manager: Vassilis Bibas
Media Office: Vasso Vassilatou, Katerina Chortaria-Tamvaki
With the support
BBC Symphony Orchestra