We Are in the Army Now

Elias Adam

Dates

Prices

5 — 15 €

Location

Onassis Stegi

Time & Date

Day
Time
Venue
Day
6 – 15 May (except Monday 9th and Tuesday 10th of May)
Time
21:00
Venue
Upper Stage

Information

Tickets

Onassis Stegi Friends presale and general presale: from 21 APR 2022, 17:00

Full price: 7 €, 15€

Reduced, Friend & Groups 5-9 people: 12€

Groups 10+ people: 11 €

Neighborhood residents: 7 €

Unemployed, People with disabilities: 5 €

Companions: 10 €


Group ticket reservations at groupsales@onassis.org

Duration

1 hour & 30 min

The performance is in Greek and in English with surtitles

Suitable for

Audiences aged 18+

Four wannabe superheroes. Cyberspace(s). Video games. Smartphones. New realities. A camp, personal army. The time has come for a call to arms at the Onassis Stregi Upper Stage. Will you put trust in them?

We met them in April 2021, through the Onassis Channel, and they were reminiscent of Power Ranger superheroes, Pokemon, and the sexy being that is Cardi B. Then, they traveled for two live performances, at Madrid’s Teatros del Canal and Müllheim’s Ringlokschuppen Ruhr, in January and April 2022, respectively, through the ‘Outward Turn’ Onassis Stegi program. The four performers of “We Are in the Army Now” are finally checking in at the Onassis Stegi Upper Stage.

Everything unfolds in a camp atmosphere, filled with snapshots from the lives of borderline millennials, TikTok-style choreographies, and Britney Spears music videos, all set alongside deeply confessional selfies and memes on the controversial relationships between socio-environmental justice and social media platforms. Except that what’s posted here is the collective rage and urgency of an entire generation, coupled with the fierce humor that pervades it.

Might we all in fact be superheroes, ready to do battle? Can Steve Jobs and working class PEOPLE from the Athenian Nikea neighborhood sit side-by-side in the same selfie? Are homophobic Greek fathers and religiously devout Greek mothers just another work in progress? Can ideology be explained through the use of emojis?

In a time that seems to lack doers, where things are fluid and seem incomprehensible, who exactly will our heroes fight? Generation Z take up weapons and welcome us into a new world where emojis and Pokemon coexist with extreme sensitivity and dissident activism, and all inside a theater form as digital as is it incurably physical.

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    Image 1 / 10

    Photo: Pinelopi Gerasimou

    Credit

    Elias Adam: "We are in the Army Now"

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    Photo: Pinelopi Gerasimou

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    Photo: Pinelopi Gerasimou

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    Photo: Pinelopi Gerasimou

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    Photo: Pinelopi Gerasimou

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    Photo: Pinelopi Gerasimou

Read more

This is the second time Elias Adam is working with ONASSIS STEGI. In April 2020, he directed a short-form film-performance titled “HAMLET, a desktop performance” as part of the ONASSIS STEGI ENTER program, which commissioned artists from around the world to create new works within 120 hours during quarantine lockdown. This work by Elias Adam sees Hamlet wander his computer desktop. Themes and motifs drawn from the play by Shakespeare are revealed through the use of technology. Love, grief, anti-depressants, death, and self-destructive tendencies interlace with an endless stream of associative references to Internet pop CULTURE, cartoons for kids, and current events during the course of an afternoon spent screen-mirroring.

Elias Adam notes the following about his works on his website: “I like to be confessional and to build bridges from the personal to the political. To create alternative narratives, and give visibility to voices that are silenced. I am fascinated by the transformative power of autobiography intermixed with fiction. I adopt elements of the camp style: artifice, frivolity, pretentiousness, and shocking excess. Born on the threshold of the new century, I incorporate pop CULTURE references into my works.”

In 2021, within the framework of the Moving Borders EU project, and following a commission by ONASSIS STEGI, ʽKivotos Channelʼ emerged, a ʽTVʼ channel conceived, directed, and dramaturged by Elias Adam.

Credits

  • Text and Stage Direction

    Elias Adam

  • Set, Costumes & Digital Space Design

    Sita Messer

  • Collaborator to Set & Costumes Design

    Electra Staboulou

  • Collaborators to the Dramaturgy & Text

    Chris Vrettos, Christina Mavromatti

  • Dramaturgy Workshops Coordination

    Chris Vrettos

  • Music

    Gary Salomon

  • Choreography

    Panos Malactos

  • Lighting Design

    Panagiotis Lambis

  • Video and Animation

    Iria Vrettou

  • Performers

    Styliana Ioannou, Jeo Pakitsas, Sofia Priovolou, Gary Salomon

  • We are grateful to the following, for taking part in performance development's dramaturgy workshop's

    Lydia Antoniou, Nadia Argyropoulou, Dimitris Babilis, Olga Deli, Sandy Fameliari, Eva Giannakopoulou, Nikos Haralampidis, Vicky Kyriakoulakou, Eva Papamargariti, Eva Pliakou, Michalis Prodromou, Nora Ralli, Leto Skopeliti, Kostas Stasinopoulos, Anastasia Vaitsopoulou, Pasqua Vorgia, Niovi Zarampouka

  • Production

    EFAMILLON AMKE/Dimitris Babilis

  • Commissioned & Produced by

    Onassis Stegi