Photo: Clement Harpillard
Part of: Onassis New Choreographers Festival 7
Performance, Dance

Zeppelin Bend (work-in-progress)

Katerina Andreou

Dates

Tickets

5 — 7 €

Venue

Onassis Stegi

Time & Date

Day
Time
Venue
Day
Saturday-Sunday
Time
22:00
Venue
Main Stage

Information

Tickets

Onassis Stegi Friends & General Presale: from 14 JAN 2020, 12:00

Full price: 7 €
Reduced, Friend & Groups 5-9 people: 6 €
People with disabilities, Companions, Unemployed, Groups 10+ people: 5 €

Group ticket reservations at groupsales@onassis.org

Introduction

Katerina Andreou brings us a duet situated on the fine line between the imaginatively activated body and the strictly disciplined body. This contradiction in terms frames both the freedom of the performers and the rules imposed on dance bodies through their training.

While her loneliness on stage in the works “A Kind of Fierce” and “BSTRD” brought Katerina Andreou the “promise of emancipation”, the (work-in-progress) duet “Zeppelin Bend” sees the choreographer turn to wellness practices and techniques through which the complicated relationship between body and self emerges. And what could be more familiar in the world of dance, where the body is constantly suspended between hardcore discipline and the punishing search for pleasure, the boundaries of which have become ever more difficult to discern.

In this duet, the performers manage truly to assemble movements, sounds and actions in their search for “survival mechanisms”, such as unfettered imaginations and activated bodies. Mechanisms that allow us to redefine the limits of freedom, returning perhaps to a undisciplined child-like nature that borders on the risky. “Players and played” on stage, the pair test and are tested by new expressive techniques and possibilities, seeking out moments of unadulterated bodily truth – a paradoxical mix of discipline and emancipatory power.

Photo: Clement Harpillard

Read More

The term “zeppelin bend” refers to the creation of a tied knot with numerous applications: a type of joining that can be understood both metaphorically, as a tie that binds us to someone or something, and literally, as a knot. Andreou situates her duet within the logic of this “choreographed co-existence”; the intention being not to praise duality exactly, but rather to concentrate on difference as the prerequisite for exploring the fine ties that bind us somehow to the other and keep us fettered.

Andreou situates two basic concepts at the core of her work: free will, and the techniques and technologies that hide behind various body practices and cultures, be they new physical fitness trends, or meditation and self-exploration exercises – all the symptoms of discipline or self-help mechanisms that help us to discover the limits of the self, at times through the logic of conformity and at others through an insistence on freedom.

Katerina Andreou appeared at the Young Choreographers Festival 5 with her work “BSTRD”, a solo that explored the limits of “authentic” expression on stage and the bodily “truth” of the performer. As indicated by the title “BSTRD” – a vowel-less abbreviation of the word “bastard” – this solo resulted from her research into various music cultures (a mix of house music tracks) and dance idioms (freestyle) with the aim of revealing the amalgamatory process of bastardization that exists in every creative endeavor.

Credits

Concept, Creation & Sound Design
Katerina Andreou
Performance
Katerina Andreou, Natali Mandila
Sound Engineering
Tal Agam
Lighting Design
Yannick Fouassier
Outside Eye
Myrto Katsiki
Production, bookings
Elodie Perrin
Production
BARK
Coproduction
Les Spectacles vivants du Centre Pompidou, Onassis Stegi Athens, Tanzquartier Wien, Atelier de Paris / Centre de développement chorégraphique national, La Place de la Danse – CDCN Toulouse / Occitanie, as part of the Accueil Studio initiative, CND Centre national de la danse residency, Le Gymnase, CDCN de Roubaix, CCN de Grenoble, Far festival des arts vivants Nyon, Centrale Fies (as part of the LIVE WORKS Act Award 2019)
With the support of
BUDA Courtrai, RAMDAM UN CENTRE D’ART, Angers-CDCN, CDC de Grenoble