MOS | Ioanna Paraskevopoulou

Dates

Prices

5 — 12 €

Location

Onassis Stegi

Time & Date

Day
Time
Venue
Day
Saturday 24 - Sunday 25 February
Time
18:00
Venue
Upper Stage
Day
Saturday 2 - Sunday 3 March
Time
18:30
Venue
Upper Stage

Tickets

Type
Price
Full price
10 €
Reduced, Friend & Groups 5-9 people
10 €
Groups 10+ people
9 €
Neighborhood residents
7 €*
Unemployed, People with disabilities
5 €
Companions
7 €

*Onassis Stegi Neighbors can purchase their tickets only at the Onassis Stegi Box Office from Wednesday to Friday, between 12:00 and 18:00. Access from the “Artists Entrance” on Galaxia Street.

Onassis Stegi Friends presale: from Saturday, 27 January, 17:00

General presale: from Friday, 2 February, 17:00

Information

Information

Strobe lights will be used during the performance.

"MOS" made its debut during the Onassis New Choreographers Festival 9 - ONC 9 in March 2022, at the Upper Stage of the Onassis Stegi.

Accessibility information

Accessible performance: Saturday 2 March

The performance will include surtitles for the deaf and hard-of-hearing and audio description for people with visual impairment.

Multi-sensory Guided Tour

The tour is addressed to deaf and hard-of-hearing people, as well as people with visual impairment.

Start time: 17:15.

Accessibility services are offered in collaboration with the cultural organization liminal, in the framework of the Europe Beyond Access program, and with co-financing from the Creative Europe program of the European Union.

Reservations for disabled seats: 213 017 8036 & infotickets@onassis.org

Duration

43 minutes

A soundtrack is produced before our very eyes. For, “MOS” is a scenic game of image, sound, and movement, starring two performers who imbue a series of cinematic scenes and moving images with their original sonic framework and imprint.

Performance photos

    Image 1 / 8

    Photo: Andreas Simopoulos

    Image 2 / 8

    Photo: Andreas Simopoulos

    Image 3 / 8

    Photo: Andreas Simopoulos

    Image 4 / 8

    Photo: Andreas Simopoulos

    Image 5 / 8

    Photo: Andreas Simopoulos

    Image 6 / 8

    Photo: Andreas Simopoulos

    Image 7 / 8

    Photo: Andreas Simopoulos

    Image 8 / 8

    Photo: Andreas Simopoulos

Coconuts cut in half, with their flesh removed. Washtubs filled with water. Bathroom plungers. Tap shoes. These are some of the objects employed by the two performers-orchestrators in “MOS” to produce sound.

Ioanna Paraskevopoulou, after being selected by the internationally recognized dance platform Aerowaves as one of the 20 most promising young makers of the year, continues her intensive presence abroad with her first choreographic work, “MOS,” commissioned by Onassis Stegi. Immediately after the ONE Dance Week festival (Bulgaria), the Carlow Arts Festival (Ireland), the Atelier de Paris / CDCN / June Events Festival (France), and the 29th Kalamata Dance Festival, “MOS” keeps on its impressive journey across the stages of the world: from Italy to Norway, from England and the Dance Umbrella Festival at London’s Barbican to Spain and the Otono Festival, among many others, to return, for just a few “collector’s edition” nights at Onassis Stegi, where it all began.

“MOS” is a duet where the choreographer herself and her co-dancer Giorgos Kotsifakis enter into discourse with a disparate series of images and seek to impart their own transcription in space. The body and (micro-)movements co-exist with curious objects and materials to act as a means of sound production. The material is intensified, exploded, paused, repeated, and distorted in order to bolster the sound experience. Within the scenic formulation, individual pieces of information are teased out of the reused materials, thus inviting audience to generate new connections and interrelations. They find themselves successively transformed into listeners of a makeshift and heterogeneous soundtrack that unfolds before them. The performers become the intermediaries between the archive and the audience, offering up their own personal footage, composing their own sound adaptation of a non-linear cinematic script, and ultimately opting what could possibly be heard.

Ioanna Paraskevopoulou views sound as her main choreographic tool. In her own words, she is mostly occupied with how a choreography will “be heard.”

Credits

  • Concept & Choreography

    Ioanna Paraskevopoulou

  • Performance

    Georgios Kotsifakis, Ioanna Paraskevopoulou

  • Audio Technical Support & Live Sound Design

    Danis Chatzivasilakis

  • Dramaturgy

    Elena Novakovits

  • Lighting Design

    Eliza Alexandropoulou

  • Tour Lighting Design

    Eliza Alexandropoulou, Tzanos Mazis

  • Video Engineer

    Konstantinos Asimakopoulos

  • Set & Costume Design

    Ioanna Paraskevopoulou

  • Video Editing

    Ioanna Paraskevopoulou

  • Wooden Constructions

    Miltos Athanasiou

  • Poster Design

    Bois Futuri

  • Photography

    Pinelopi Gerasimou

  • Production Management

    Ioanna Paraskevopoulou

  • Tour Management

    Cultόpια & Ioanna Paraskevopoulou

  • Tour Coordinator

    Christina Liata (Onassis Stegi)

  • Special thanks to

    Eleni Tzarou, Thanos Daskalopoulos, Alexandros Tomaras

  • Produced by

    Onassis STEGI, and first presented as part of Onassis New Choreographers Festival 9.

Accessibility Credits

  • Coordination of the Accessible Performance for the Onassis Stegi

    Haris Giakoumakis, Vera Petmeza

  • Surtitles for d/Deaf and hard-of-hearing people

    Grigoris Stathopoulos

  • Audio Description

    Alexandra Georgovasili

  • Audio Description Narration

    Maria Thrasyvoulidi

  • Multi-sensory Guided Tour

    Maria Thrasyvoulidi, Grigoris Stathopoulos

  • Interpretation in Greek Sign Language during the Guided Tour

    Androniki Xanthopoulou

  • Quality Control

    Andreas Plemmenos, Ismini Politi, Eva Gritzali, Anna Maria Foskolou

  • Accessibility Services Design

    liminal

  • Coordination

    Christos Papamichail

Τhe international tour of MOS is made possible with the support of Onassis Stegi’s "Outward Turn” Program