"Meeting With Remarkable People" by Menelaos Karamaghiolis are transferred to a contemporary interactive platform, supported by Onassis Culture
Meetings that will soon take place online. All the episodes, more ways to watch each story and participate in it through a modern interactive platform with augmented material. Live the stories of the protagonists expanded in space and time, with augmented material, through an interactive way of reproduction. To find out how, to give or receive help, discover the experience of the interactive platform here.
Everyday heroes struggling with reality discover ways to overcome the challenges they face. After two successful seasons on the small screen and the ERT1 channel, the heroes of Menelaos Karamaghiolis’ documentary move to the even smaller screen of your computer and/or smartphone, allowing you to become part of their stories. Attempting an alternative political intervention, these heroes take the viewers to an interactive platform where you can live their stories, expanded in space and time, with interactive material, through an interactive way of reproduction.
An interactive online platform accessible to all
12 documentary features, invisible protagonists, distressed and seemingly doomed heroes without prospect or hope. Young unemployed scientists, homeless people in the city center, imprisoned minors, fleeing refugees, Greek immigrants in Germany, injured stray animals. Augmented short films that allow the viewer to move through the stories of the heroes the way he/she wants.
Menelaos Karamaghiolis gives a different dimension to “Meeting With Remarkable People” with the support of Onassis Culture. Through this platform, a new interactive form of documentary is created for the first time in Greece. Thus, these twelve stories filmed in the past are revived and creatively expanded in space and time, capturing what happened after the credits rolled.Director’s Note
“Filming the lives of these heroes, who belong to socially disadvantaged and vulnerable groups, for 7 years, at the end of each film there is light at the end of the tunnel, solutions to the impasses of the crisis and a happy end on its way. A happy end they create on their own, without the mediation of a screenwriter, in a country where the crisis lasts for years.”
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