Dimitris Papanikolaou: Aerial Breaths
Anyone can animate any inflatable beacon by sending bursts of air to it using their mobile phones. Sending, however, a burst of air to a beacon requires removing the same amount of air from another beacon. Watching a beacon deflate signifies someone, somewhere, uses this air to inflate another beacon. Watching a beacon inflate signifies that someone nearby uses this air to publicly manifest their presence in your common surrounding environment. Beacons illuminate, revealing the identity of the beacons they exchange air with. Depending on people’s location, point of view, and level of engagement, the closed system of the beacons enables patterns of cooperation or competition to emerge across locations, reflecting the two categorical ways with which we perceive our socio-locational identity: “us-versus-them” and “here-versus-there.”
Through their reciprocal transformations and monumental size, the inflatable beacons both signify and influence the collective identities of transient “locals” and “outsiders”: strangers who happen to “be there at that time” without otherwise any sense of a common identity, belonging to the place, or awareness of each other. Athens consists of multiple neighborhoods, each with its own local character and each containing building blocks with unbuilt empty lots. The project intends to connect such diverse localities through a common physical telepresence platform. During my residency, I plan to develop the code for the front-end and back-end system of the platform and connect with the Athenian artistic, curatorial, and production scene to identify contextual conditions and collaboration opportunities.