The Resounding Flâneuse, text score (Marseille, 2018), The Resounding Flâneuse #2, text score (Athens, 2022)

Scores entertain a paradoxical relationship with time. In music, they are compositional tools. In other disciplines such as dance, they have a primarily memorial function and can be imagined as traces of past actions to be re-enacted in the future. In the same way, “The Resounding Flâneuse” contains the memory of my past experiences in Marseille and Athens as well as an invitation to write together possible futures.

Considering urban planning and the social organization of space and time as systems that co-produce hegemonic relationships, including the patriarchal ones, the scores question (auditory) experiences at night from a gender perspective. They play on the categories of visibility and invisibility, silencing and resonance, to invite us to listen to our spatial practices but also to invest and reclaim public space through the vibration of our bodies.